Right on, I was thinking along the same lines. I'm glad you were able to confirm my theory.Nice razor. You'll find when yo polish it you'll loose some contrast with the etch since you are cleaning out the etch to be the same brightness of the background blade.
In the past I've used clod blue (gun blue) to darken the etch after polishing. Then used a hard wheel with dry media to take the blue off the blade and leave the blue in the etch. It's kind of trial and error to get the right pressure so as not to get into the etch.
That's good to hear. It's amazing these things survive as long as they do. It's in relatively good condition to.Looking at that Monkey Tail I think your guess as to manufactured date is real close.
I have some black bison horn laying about. I'll cut out a rough shape and see how it looks. I agree totally btw. Nothing to flashy. I thought the rams horn was over the top.It is totally up to you but I wouldn't gild the lily. The blade etching and period shape is the star of the show. IMO the eye should be drawn to the engraving/etching and a simple elegant ebony with a lead spacer would do just that.
I have some black bison horn laying about. I'll cut out a rough shape and see how it looks. I agree totally btw. Nothing to flashy. I thought the rams horn was over the top.
I think that is the same one, I bought. The glare makes it hard to tellI rescued a Masonic W&B about a year ago with blown horn scales. Was going to use ivory marcarta until I found the real thing on a Rogers with a toasted blade. Keep the blade the star of the show. You have a great blade that will live again.
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I think that is the same one, I bought. The glare makes it hard to tell
I wonder how many of those were made. I have searched the Google and found a few examples but not very many.They are long separated brothers. Mine live in a draw with all of it's ivory cousins from England and Sweden.
I wonder how many of those were made. I have searched the Google and found a few examples but not very many.