I Was A Male War Bride
People Will Talk
We have it as well. The wife was watching it while I ate lunch. I thought the ending was uplifting. Poor mr Gunderson.My wife and I like Cary Grant and have that DVD, but she reuses to watch it, as it's too depressing.
Yeah, I can’t imagine the total disregard for life. They certainly went though a lot of chaos, it seemed medieval and not 20th century.Just finished watching Hatred & I must say that it certainly is aptly titled ... those hapless Poles & especially those located near the Ukraine border, caught hell from every which way. Such a grievous period ... and film
I'd call it a film noir despite all the daylight. A non-soapy look at some delicious small town rot, it's one of the best of the genre. Been a while since I've seen it, but you're hooking me into another viewing. Thanks!The Strange Love of Martha Ivers, a classic noir/Gothic from 1947 with Barbara Stanwyck, Van Heflin, Lizabeth Scott, and a very young Kirk Douglas. Sam, a roving gambler (Van Heflin), finds himself back in the town he ran away from 18 years before, and meets a blonde (Scott) with her own secrets. Their relationship is complicated by the fact that the town's leading citizen and businesswoman, Martha (Stanwyck) and her husband Walter (Douglas) knew him when they were all young teens . . . and Martha and Walter have a terrible secret of their own and fear that Sam is back to blackmail them over it.
Another classic femme fatale part for Stanwyck; Douglas plays an atypical role for him, a young but weak district attorney; and Heflin convinces throughout. Lizabeth Scott is lovely and effective as well. The twisty relationship between Martha and her husband is what makes this a noir/Gothic, I think.
I hope I haven't given any surprises away. When I encapsulate a movie here, the challenge is to do it in one paragraph or so, give readers reasons to watch it, yet not spoil the plot.I'd call it a film noir despite all the daylight. A non-soapy look at some delicious small town rot, it's one of the best of the genre. Been a while since I've seen it, but you're hooking me into another viewing. Thanks!
What struck me was, after a scene where Sam has been beaten, he spits out a couple of teeth. Then Heflin in almost every subsequent scene plays it like a man whose mouth is hurting him, or as if his tongue is continually probing at the missing teeth. Without ever mumbling, mind you.The Strange Love of Martha Ivers, a classic noir/Gothic from 1947 with Barbara Stanwyck, Van Heflin, Lizabeth Scott, and a very young Kirk Douglas. . . . Heflin convinces throughout.
Not at all. Don't remember the plot points, but do remember enjoying the movie. You gave nothing away.I hope I haven't given any surprises away. When I encapsulate a movie here, the challenge is to do it in one paragraph or so, give readers reasons to watch it, yet not spoil the plot.
Heflin was a fine actor who, despite receiving a 1943 Oscar, never quite achieved first-rank stardom. Another victim of the "Supporting Actor Curse," perhaps?What struck me was, after a scene where Sam has been beaten, he spits out a couple of teeth. Then Heflin in almost every subsequent scene plays it like a man whose mouth is hurting him, or as if his tongue is continually probing at the missing teeth. Without ever mumbling, mind you.
Barrymore should have been a dynamic Holmes, just not a great performance from the great profile.Sherlock Holmes (1922), from my old 4 dvd John Barrymore set. I have 400+ silent films, but chose to watch Sherlock today because it's the debut film of both Roland Young (Topper) as Dr. Watson, and William Powell (Thin Man) as Wells, two of my favorite stars from the 30s & 40s. The Sherlock film was ok, but I usually prefer French, German and Swedish silent films.