The first time I encountered the term "scritch" (in this Forum about a year ago), I had some intuitive sense of what it might mean, but wasn't at all sure. So I searched and found this most excellent post on the subject of terminology commonly used in describing knot characteristics and/or qualities. (For purposes of this discussion, let's use "characteristics" with reference to objective properties, such as stiffness, springiness, floppiness, density, etc.; and "qualities" with reference to subjective properties like itchy, prickly, moppy, etc. "Soft" is a hard case -- no pun intended -- in that it can arguably be either or both.)
Scritchnscrub's definitions made pretty good sense to me, although I had very little experience with brushes at the time. I soon discovered, however, that "scritch" is used both more broadly and variously than he describes, such that it's very difficult to know what anyone specifically has in mind when he/she employs the term in a particular context. This is compounded by the fact that different users may (and undoubtedly do) experience very similar brushes differently even under nearly identical, for practical purposes, objective conditions. And then, to add further dimensions of complexity, virtually identical hair will exhibit different objective characteristics that translate into different subjectively experienced qualities. For example, a specific hair, say Rooney Finest, might be experienced by an individual user (me, for instance) as scritchy at one density/loft combination but not another. All of this can make it very hard to know 1) what anyone means in describing a particular brush as "scritchy" and/or 2) what the predictive value of that user's experience might be with respect to other brushes made with the same or similar hair.
Following are some comments and suggested clarifications:
I have one floppy brush with a TGN knot that would have to be pressed and twisted like a mop to effect any scrub. I have two Vie-Long horse hair brushes that I really like in spite of the fact they're so scritchy (at least so far) I can hardly stand to use them. I have an Omega boar brush that is stiff and scrubby as hell, but without a hint of any element of scritch (either scratch or itch). I have some two-band brushes that are mostly soft-tipped, but with a very small subset of hairs I swear I can feel individually and which impart "hints" of scritch that I suspect are inseparably connected to those brushes' best qualities. And then I have brushes, both 2-band and 3-band, in which hairs seem to form somewhat pointy clumps that I can feel scrubbing, particularly in circular motions, without any associated scritch.
I remember from a course I took in college (anthropology, I think) about 40 years ago that Plains Indians had something like 7 words for snow (or maybe it was more). I think it would be helpful if we had more words than "scritch" and "scrub" to use in describing what we sense when using brushes.
This is meant to be a serious and not a smart-*** post. It's purpose is to stimulate discussion, not to press my opinions. I'm hoping scritchnscrub will dive in and lead mediation to a better resolution of the terminology.
Scritchnscrub's definitions made pretty good sense to me, although I had very little experience with brushes at the time. I soon discovered, however, that "scritch" is used both more broadly and variously than he describes, such that it's very difficult to know what anyone specifically has in mind when he/she employs the term in a particular context. This is compounded by the fact that different users may (and undoubtedly do) experience very similar brushes differently even under nearly identical, for practical purposes, objective conditions. And then, to add further dimensions of complexity, virtually identical hair will exhibit different objective characteristics that translate into different subjectively experienced qualities. For example, a specific hair, say Rooney Finest, might be experienced by an individual user (me, for instance) as scritchy at one density/loft combination but not another. All of this can make it very hard to know 1) what anyone means in describing a particular brush as "scritchy" and/or 2) what the predictive value of that user's experience might be with respect to other brushes made with the same or similar hair.
Following are some comments and suggested clarifications:
- I think scritchnscrub came close to nailing how "scritch" should be distinguished from "scrub".
- I don't regard "scritch" as existing in the absence of qualities of both scratchiness and itchiness. One scratches with the objective to eliminate an itch, so it doesn't make best sense to use the two terms in a definition as though they mean approximately the same thing. A scratchy brush is scratchy; an itchy brush is itchy. A brush that is both scratchy and itchy is scritchy. That the term may be accurately applied by one user, however, doesn't necessarily mean that it is or will make a true statement for another. In fact, I have brushes that are scritchy to me on some days and not others. The difference, then, must be in my prep and/or the condition of my face, and, ultimately, in my head, but not the brush.
- I mostly agree with scritchnscrub's suggestion to permit substitution of "prickly" for "scratchy" as a necessary but not sufficient definitional criterion of "scritchy", although one might split hairs (pun intended). For example, I think of a hedgehog as being prickly whether or not it comes in contact with anyone who might get scratched in a brush-up. Of course, in a direct collision with a hedgehog, one's experience is more likely to be more that of getting poked (if not impaled) than scratched.
I have one floppy brush with a TGN knot that would have to be pressed and twisted like a mop to effect any scrub. I have two Vie-Long horse hair brushes that I really like in spite of the fact they're so scritchy (at least so far) I can hardly stand to use them. I have an Omega boar brush that is stiff and scrubby as hell, but without a hint of any element of scritch (either scratch or itch). I have some two-band brushes that are mostly soft-tipped, but with a very small subset of hairs I swear I can feel individually and which impart "hints" of scritch that I suspect are inseparably connected to those brushes' best qualities. And then I have brushes, both 2-band and 3-band, in which hairs seem to form somewhat pointy clumps that I can feel scrubbing, particularly in circular motions, without any associated scritch.
I remember from a course I took in college (anthropology, I think) about 40 years ago that Plains Indians had something like 7 words for snow (or maybe it was more). I think it would be helpful if we had more words than "scritch" and "scrub" to use in describing what we sense when using brushes.
This is meant to be a serious and not a smart-*** post. It's purpose is to stimulate discussion, not to press my opinions. I'm hoping scritchnscrub will dive in and lead mediation to a better resolution of the terminology.
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