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That headphone amp is interesting. Now I’m intrigued with electric.
If you want to try electric without bugging anyone, a headphone amp is a nice way to go. I’m learning now as well, and this is nice not to torture folks in earshot.
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Agree 100%The height of the strings above the fretboard - the "action" - is really important. Too high and the guitar will be hard to play, especially higher up the neck.
To understand what's going on think about the geometry. The strings vibrate in a kind of ellipse suspended at each end by the nut and the bridge. Let's call that the string envelope. The biggest deflection is around the 12th fret, bang in the middle of the string.
So, for the perfect low action, you want the nut to be at exactly the right height above the fretboard at one end and the bridge to be at exactly the right height at the other end: the lowest you can get without the strings hitting the frets.
Also, you want just the right amount of shallow curve in the fretboard to match the curve of the string envelope. The shape of the neck is adjusted using the truss rod. But only if you know what you're doing
A full setup might involve a fret level to get the frets perfectly flat, a truss rod adjustment to set the right curve in the neck, a new nut, and a new bridge. Even expensive guitars often come out the factory in bad condition.
It's hard to justify the cost of a full setup for a basic guitar but the good news is you can often make a big improvement just by lowering the bridge. Get a couple of bridge blanks (keep the original intact!) and file away. They're cheap so it's easy to experiment.
Try to keep the base of a new bridge absolutely, perfectly flat. The bridge transmits string vibrations into the top and the top is where the magic happens.
A huge part of the art of acoustic guitar making is the challenge of making a very light but also strong top with vibration modes which create a good tone. The stiffest and lightest woods like quality sitka spruce are used for this.
As for playing the thing... it'll take a few weeks for your finger pads to toughen up. You just have to get through that.
Progress tends to come in fits and starts. You might be practicing every day for a couple of months or more and nothing seems to be happening. You feel like you're not getting anywhere. But you will. The best advice for anyone learning a musical instrument is to stick with it and just don't give up.
That's all it takes. Anyone can do it. A musician is just someone who didn't give up.
Fine motor skills develop slowly as your brain gradually rewires itself. You can speed the process along a little by practicing for longer each day, if you've got the time, but whatever you do practice *every* day.
Concentrating intensely on what you're doing, but in a relaxed kind of way, is important if you want to make that baby sing. Don't tense up just listen closely to the instrument and feel how it responds.
For a while I made a living playing flute, lots of classical music & Mozart. Some of it was really hard. It really pushes your limits. But on a good day, when you're in the zone, time seems to slow down and you're not playing an instrument any more: you're just... singing.
All anyone has to do to get there is don't give up.
That headphone amp is interesting. Now I’m intrigued with electric.