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- #41
Thanks for the tip on the backgrounds. Just a notecard now, will experiment with darker backgrounds too. The camera has a built in LED - pretty handy. I’ll throw on a sharpie mark as well, that’s a great tip.Nice clear photos, try different backgrounds black or white depending on what you are trying to capture, I use a sheat of craft foam, a buck or two at any craft store or Walmart. Also try not to move the scope or lighting from photo to photo.
Looks like you are honing to the edge, though there is some fuzzy edge near the toe and heel. The shiny reflection at both ends of both photos are either a rolled edge or a not fully set bevel.
There are some deep stria that go all the way to the edge and will end in a micro-chip they need to come out.
If you are going to take comparison photographs, compare one grit finish to another, mark the blade from edge to spine with a colored sharpie or pick a defect in the blade, like the long diagonal scratch on the belly near the left side of photo 1.
Then use that mark as a registration mark so you are photographing the same spot each time.
What grit is it finished to?
What does the edge look like, looking straight down on the edge?
Shiny spots are where the bevels are not meeting fully or the edge is rolled.
I’m pretty sure I honed to the edge, then either created a microbevel or convexity with the strop. Will do an investigation of the edge straight on.
This razor started at ~HHT3 (and pretty much ended in the same plalce), then I decided to try a nagura progression since I have a JNAT and nagura for the first time (Shobudani asagi that was sold to me second hand as a razor stone, but we’ll see), so it didn’t go from the ground up. For the next run, will start with 2k bevel set, then 4k, 8k, 10k, and then and finisher. I hadn’t appreciated just how sensitive the process was to small details, small convexity, not being able to actually hit the edge, etc.