I convexed a Shapton 1K myself which is what I use as a bevel setter before other convex stones. Works well and is extremely quick.
A secret technique of my own... ah, what the hell...
Some background: I bought a convex coticule bout from Jarrod and had been using that for a while, but I couldn't quite get happy with it. It was very hard to maintain the contact I wanted right to the heal. I had a flat 2" 8 6" rectangular coticule that was very soft and slow and never honed very well, so thought I would convex that myself.
At first I thought a bit about making a concave master, but as this was a stone that I wasn't too worried about eventually I decided to freehand it. I took my flat veritas lapping glass plate with silicon carbide wet n dry on top. I started by lapping flat and then I gradually lifted an edge. Just by feel I continued lifting as I lapped and graduated this as I went. It was all by feel - like when you vary the torque as you hone - same here. I did this all the way round the stone, checking with a straight edge to eyeball the curvature as I went. Eventually I ended up with a consistent cushion shape. To correct this I rolled the lapping motion at the corners to smooth these surfaces out into a consistent oval.
That was the first coticule. I much preferred it to the bout from Jarrod. For my personal technique, the degree of curvature works much better.
I have convexed three other coticule in the same way since, with a small but useful change to my technique, and it was this new approach that I used with the Shapton.
1. Lap the stone flat. - important to avoid concave spots.
2. draw a fine grid on the stone.
3. Lap with a very slight lift on one edge.
4. Inspect the grid on the other edge. Only part should have been removed.
5. check with the straight edge
6. Redraw grid
... keep repeating
the aim is to progressively lap wider and wider strips of grid off the stone until you reach an apex. The grid allows you to see how much you are taking off, although the real judgement is made by checking with the straight edge.
that's my technique. All you precise engineers can burn me now, but I have used it on 5 stones in total, and I am happy with it. I am getting great results on Gold Dollars and cheaper Dovos. It solves a lot of problems when honing wonky geometry Dovos. I find I can reset the bevel without having to hone a lot off the razor or without a complicated rolling stroke.
I would not attempt it with an ark, I don't think. It is pretty easy with softer stones.
I am using a Shapton 1K which I have convexed myself using the technique that I described above and then I follow this with a dilucot progression on a convex coticule.Amazing!
I'm not sure I understand exactly what you're doing, but, then again, I'm not fixing to attempt this and I'm sure diving into it with your instructions and hints would be vastly better than diving into it from scratch.
You're an adventurer!
Just to make sure I got this: You're using your convex coticule to set the bevel on Gold Dollars and other razors which have had (by you) no work on any previous bevel setter? Amazing. I love it.
Happy shaves,
Jim
I am using a Shapton 1K which I have convexed myself using the technique that I described above and then I follow this with a dilucot progression on a convex coticule.
I'd love to follow this with a convex ark but Jarrod sold out before I could order one. I think I would only get a hard 2 inch wide one which would follow nicely from the coticule.
Jarrod advised me that you can progress from flat to convex but not the other way round. As I love my flat stones more I am only using my convex stones for Dovos and Gold Dollars.
Why?
I find that the convex stones get around dodgy geometry easily, in particular with low end Dovos, according to Jarrod they are honed at the factory on convex hones. There is much less work to hone them that with a flat stone and I avoid the necessity of major correction or of honing gymnastics to keep a neat bevel. In my head it's the same as honing a serated knife with a round hone, just that the roundness is more gradual.
I don't get that part at all. I would not expect to have trouble going either way, but convex to flat should be particularly easy unless the blade is wonky.Jarrod advised me that you can progress from flat to convex but not the other way round.
You are probably right. I might hone back and forth between convex and flat with a couple of GDs at some point and track contact with a sharpie to try to work out what is happening.I don't get that part at all. I would not expect to have trouble going either way, but convex to flat should be particularly easy unless the blade is wonky.
Nice piece, chan! The answer to your question can only be answered by you. If you want to preserve the polish on the spine, continue to tape. If spine scratches don't bother you, then just get on with it and get a serviceable edge that you want to maintain how you want to maintain it and go on.
Do you have a coti slurry stone, or other coti to raise slurry on or with. Curious if concave rubbing stone would raise slurry on convex coti? While coti can be a great finisher with out slurry. a coti with slurry serves multiple lower grit ranges. If I owned a convex coti. I would have a separate coti bout/ringtone and create a diamond slurry from that vs creating slurry from the convex coti In order to preserve the convexity longer.
sharpie bevel take a few passes on convex coti until you remove sharpie. maybe convex coti with slurry. re mark bevel take more passes again. here i like using loupe or scope. to confirm... this will speed the conversion to convex edge........ i would consider it more conversion to "a convex bevel" more than traditional bevel reset